This 1977 single by Joni Mitchell attacks the alleged falsehood and dishonesty surrounding Bob Dylan's music and character.

Joni Mitchell and Bob Dylan are both songwriting greats, who have a lot in common, but a lot of differences too, with her hating peforming live with him.

I Dream of Joni” by Henry Alford and “Song So Wild and Blue” -- celebrate the singer-songwriter and Kennedy Center honoree ...

Joni Mitchell took the stage at the Kia Forum alongside Alanis Morissette, Green Day, John Mayer and more for the FireAid ...

Bottom line: Joni Mitchell has always gone against the grain ... 7 on Billboard's Hot 100 and was in the top spot on its ...

The Clive Davis Pre-Grammy Event, a wildfire-relief benefit this year, featured sets from Post Malone, Joni Mitchell, Doechii ...

With all that in mind, it comes as no surprise that he deeply influenced his musical contemporary, Joni Mitchell. If one is familiar with Dylan’s 1965 single, “Positively 4th Street,” they ...

Ann Powers’s deeply personal biography of Joni Mitchell looks at how a generation ... her life through interviews with many of her famous contemporaries, rivals, collaborators, and lovers, ...

Dressed in a brown bejeweled robe, hat, and her signature glasses, Joni Mitchell performed while sitting on a chair, holding ...

In addition to Lorenco, Big Yellow Taxi consists of Candy Green on backup vocals and percussion; John Caban on guitar; former ...